Unique works on Wenzhou paper, pigment and resin.

About me

Olivier (le Maire) de Warzée

olivier@mwhphotography.be

+32 471 500 578

Born in Brussels and based in Antwerp for the past twenty-five years, Olivier de Warzée is a Belgian visual artist whose work originates in photography but increasingly moves beyond the photographic image itself.

After studying law and political science, and while pursuing a career in human resources and organisational leadership, he developed a parallel artistic practice rooted in contemporary image-making, fine art photography and the material transformation of the printed image.

At the heart of his work lies the human figure: fragile, passing, never fully fixed. Olivier is drawn to those fleeting moments in which a presence appears, crosses a space, leaves a sign, then disappears. His images question what remains of us after the instant has gone, a movement, a shadow, a posture, a trace, a title, sometimes only the feeling that someone was there.

His recent works are printed on delicate Wenzhou paper, then mounted, sealed and finished by hand, often with binder and epoxy resin. Through this process, the photograph becomes a physical object. The paper absorbs, folds and reacts; the surface records accidents, tensions and imperfections. These marks are not hidden. They echo the vulnerability of the human body and the fragile, temporary nature of our passage through the world.

His black and white works are marked by deep contrasts, dense blacks and a strong sense of silence. They evoke solitude, memory and disappearance. His colour works use simplified lines, saturated tones and almost pictorial compositions, suggesting a reality that is less observed than emotionally reconstructed.

Olivier’s practice is guided by intuition. Wherever he is, he searches for the moment, the situation or the fragment of life that immediately evokes a title, a word, a sentence or a memory. “It is when the title comes to me instantly that I know I have the image.”

At the crossroads of photography, paper, painting and object-making, his work explores the fragile temporality of human presence and the traces we leave behind, visible or invisible, deliberate or accidental, lasting or already fading. Each work is conceived as a unique piece and will not be reproduced.